This show, “Gurure! Kokkuri-san”, is strange in that it tries to pull in from many genres and almost succeeds, but got too cute for its own good. The term “Gugure” is a corrupted term, meaning ‘go figure it out’ or ‘go Google it’ (depending on who is doing the translating for you).

Kokkuri-san is that fox spirit front and center. But Kokkuri-san is also a game, much like ouija boards, where you can summon spirits. You see that girl atop the noodle cup? That is Kohina Ichimatsu, an almost-expressionless elementary school girl who lives alone, proclaims herself to be a doll, and eats nothing but instant noodles. One day, she plays the game by herself and summons the fox spirit Kokkuri-san who, upon seeing her unhealthy lifestyle, takes it upon himself to become her guardian and raise her properly. Thus starts Kohina’s new life of being haunted by various unique spirits.

You see, he feels that she is not really worthy enough to be haunted by him and wants to bring her up a notch or two to really make it worth his time. Now, as to why she lives along is ever made clear, except for her catch-phrase “I’m only a doll”. And certainly the square eyes add to this (although there are rare circumstances when she becomes a real person). As if Kokkuri didn’t have enough on his plate, along come two moochers. (more…)

I’m not really certain how to take Le Fruit de la Grisaia (“Gurizaia no Kajitsu” or “The Fruit of the Grisaia”), as it doesn’t make a whole lot of sense, as much is kept hidden from you and you must take a kind of voyage of discovery to understand it all.

Yūji Kazami (the only guy) transfers to Mihama Academy, a school with only five female students and prison-like features. Every student in the school have their own “circumstances” for being there, but Yūji is not required to do anything about their situation, as he asked for a normal student life. This is funny, as there is nothing ‘normal’ about him or the school. He has a questionable and/or unsavory past, which he tries to forget, but not even a zebra can change its stripes.

The five ladies, whom he shares an almost empty classroom with, are (left to right):

Sachi Komine. The maid. She always wears the maid outfit as a sense of duty.
Amane Suou. She is kind of the house mother and wants to seduce Yuji
Makina Irisu. Although innocent and carefree, she suffered a deep emotional shock
Michiru Matsushima. She is standing atop that thing and has a split personality, so you never know who you are talking to.
Yumiko Sakaki (far right). Don’t mess with her, as she wields a box cutter with devastating results. (more…)

This was a show that took me over a year to watch. I had it on disc and I would pop in two episodes when I couldn’t access anime by any other means. It was another show with a great deal of initial promise that lost it along the way.

“Princess Resurrection” starts out simply enough: Sawawa Hiyorimi (the maid at the far right) has gotten a job working for a benefactor in Sasanaki City. Sawawa has asked her younger brother, Hiro, (that hopeless dude in the center) to come over. As he is walking the streets, he sees a long cool woman in a black dress and a short servant carrying a huge pile of purchases. Overhead is a hoist of I-beams that manages to break free. Hiro pushes her out of the way, but dies in the process. In the morgue, this woman bestows the Flame of Life on Hiro, but there are conditions.

The woman is Hime (the princess; her real name is Lillianne von Phoenix, but she detests being called that) and the servant is Flandre, a caliber of robot. Flan, as she is called, suffers from the Pikachu Syndrome, in that she can only say one word (“Huga”), but it manages to explain a plethora of thoughts and ideas. Now, Sawawa is completely oblivious to all the supernatural events at the house, hired more for her gigantic cups….of tea! Hime enjoys what she can brew up. (more…)

OK, as you know from a previous review, I walked away from “Yowamushi Pedal”, as I felt everyone were pricks. I got a message from a fan of the show who felt I was too harsh in my initial review and I should give the second season, “Grande Road”, a test drive. (Huyk! Hyuk! Gotta love those puns!)

The overall problem is that any concerns that were endemic in the first season will potentially continue through to the second and worse ones may crop up. They did.

The first problem is that the original idea of the show, letting us see how otaku Sakamichi Onoda (specs in the middle) transmogrifies from a ‘weakling pedal’ (the English translation of the show) to a determined person, has been discarded, so that he is a supporting player in his own series. He gets left behind as we examine, in painfully minute detail, the lives of everyone to show that they did not all start out as pricks, but unhappy events and foul circumstances and missed bus connections MADE them into the revolting piles of poodle-doo that they are now. (more…)

When the first season of “Psycho-Pass” came out, I enjoyed it, as it was a crime drama with a hinting of horror. When the second season came out, it was now a horror show, with a hinting of a crime drama. That changed the pitch of the show…..and badly.

I think it’s been about two years since the incidents of the last season (can’t tell for certain) and the cast has changed and been added to. The new line up, from left to right, consists of:
Nobuchika Ginoza (was an Inspector, now an Enforcer), Sho Hinakawa (new this year, Enforcer), Joji Saiga (seen last year, now being ‘rehabilitated’), Akane Tsunemori (now head of Division One), Shion Karanomori (another holdover, she is Data Analysis), Mika Shimotsuki (was a student last season, now an Inspector), Yayoi Kunizuka (another Enforcer holdover from last season) and Sakuya Togane (new Enforcer and very cloistered).

The show came in with a great premise: What if you could keep you hue clear? You see, the Sibyl System rates a person by the color of their hue (or stress level). If it goes over 100, you are to be taken in to custody for ‘rehabilitation’. If it goes over 200, the only cure for that is death, as you are a real latent criminal. The Dominator, that gun they possess, can rate a person’s hue and will allow you to shoot it. If the hue is below 100, it will not let you fire it. But you, as an Inspector, can override the gun’s setting and allow you to stun the person, not kill them. For some odd reason, that aspect is absent, so we are treated to a lot of people being killed. (more…)

Sanshu Middle School has a Hero Club, students (girls) who are dedicating themselves to helping those that request it. One day, they are suddenly caught in a ray of light and transported to a strange forest, where evil monsters known as Vertex are seeking to destroy the Shinju (Divine Tree), which would, in turn, destroy the world. Using a special app to transform into heroes imbued with magical powers (App? Yes, they have to use cell phones to transform, kind of like “The Irregular”), these girls must now become genuine heroes in order to protect their world. That is the premise behind “Yuuki Yuuna Wa Yuusha De Aru” (“Yuuki Yuuna is a Hero”).

This is another in the “Girls Who Save the World” genre, as they do battle with these Vertexes (and I though the plural was ‘vertices’. Splitting hairs?) The original staffing was four, but one got added later, and the line-up for the Home Team is, left to right:

Karin Miyoshi
Mimori Tōgō
Yūna Yūki
Fū Inubōzaki
Itsuki Inubōzaki

Now, in this ‘strange forest’ (so called, as it defies any other caliber of description), Togo has the use of her legs. She is messed up, owing to a car accident that took her ability to walk and some of her memories, so she is ported about in her wheelchair. (more…)