I was really surprised that a third year of this show came out, owing to how things were, more or less, wrapped up, but “Senki Zesshō Symphogear GX” (“Superb Song of the Valkyries: Symphogear GX”) came out with much disappointment for me. I supposed I watched it to ‘officially’ close out the franchise, but it was tough going.

The ladies are now part of a group called S.O.N.G., who provides disaster relief around the world. Kind of like the “Thunderbirds”, but without being marionettes. The problem is that they are attacked by an autoscorer while facilitating a rescue. This is a doll (more like an automaton) bent on the destruction of all the Symphogear girls and it looks like they might succeed, as they are stronger, faster and better equipped. The series looks into how our sextet can defends themselves and the world against a new, more powerful, threat that can even destroy their armor. (more…)

This was an anime I wanted to see at KrakenCon, but it either never got shown or shown at a time I was falling asleep in a panel. It was easy enough to hunt down “Suisei no Garugantia” (“Gargantia on the Verdurous Planet”), but it is more like “Waterworld” than anything else.

It is potentially the year 2400 or so (gleaned from numerous vague references). Mankind has taken to the stars and formed the Galactic Alliance of Humankind, as Earth had turned into a gigantic space ice cube and all life had to flee or freeze. The Alliance is engaged in a perpetual war with a tentacled alien species known as the Hideauze, which looks more like a carnivorous flower (with nasty, big, pointy teeth…) Sixteen-year-old Ensign Ledo is a soldier in the Galactic Alliance, piloting a Machine Caliber, a humanoid-shaped battle suit with marvelous AI, which he refers to as “Chamber”. After a failed attempt by the Alliance forces to destroy an enemy super-weapon, Ledo is knocked into a wormhole and loses consciousness. (more…)

Although this was a fascinating series, in its cat-and-mouse, whodunit approach, the first season (and yes, there HAS to be at least a second season) of “Rokka no Yuusha” (“Braves of the Six Flowers”) was ultimately frustrating, as it came off as a tremendous tease with immense padding. I’ll explain, so settle into your bean bag chair with a couple of boxes of Pocky and I’ll relate the whole saga (part one):

In this Land of Nod, there is a peninsula to the west, a land filled with demons and monsters and unsavory types (kind of like Donald Trump’s condo). Every so often, they get the itch and venture forth to try and kill and/or enslave the residents of the rest of this continent island. Fortunately, coming to the rescue are Six Braves, individuals who have been chosen by the Goddess of Fate, endowed with special powers and abilities to meet the enemy head on and drive them back into their land of volcanos, choking smoke and unpleasantness (Los Angeles without the Starbucks). (more…)

This was not the movie I wanted to see, although ‘movie’ is a very loose term for this 27-minute offering. It really isn’t much more than an untethered OVA, but it was given to me as a ‘movie’, and underdeveloped at that. ”Taifū no Noruda” (“Typhoon Noruda”) could have really used more back story and more understanding as to what was/is going on. We end up with an elongated scenario with all the salient parts to make it work, but not fully exploited to tell a richly compelling story, and thus this is what we end up with. (I was looking for another movie, but I ran into this one and watched it instead, thus my cryptic opening comment).

We are at Unnamed Academy on Nomanisan Island and we are getting ready for the Cultural Festival. But there are storm clouds on the horizon, both actually and figuratively. The actually is that a typhoon is brewing off the coast and it promises to be at least a Category 8 and, potentially, one of those monster, once-in-a-lifetime storms that is so powerful, it tips the Earth on its axis. (more…)

I was once told that there are only 10 plots for stories in the world and everything we do is based off of them. I got that feeling with “Dragon Crisis!” (“Doragon Kuraishisu!^”), as it smells like parts of “C3” and “Testament” (can you help out a damsel in distress?)

We begin with Ryūji Kisaragi, a mere lad of 15 summers (and that winter in Sapporo). His parents are ‘Lost Precious’ hunters (and keep your Gollum puns to yourself, please. We’ll have time for that at the end). Because his parents cross the world almost constantly, he is left to his own devices. His life gets upended when cousin Eriko Nanao (19 and very ‘healthy’) stops by. There is something afoot in the Black Market and a potential Lost Precious is being transported under cover of night and heavy security. They capture it (despite a car chase and a gun battle) only to find that it is the girl Rose. Ah, but a Rose by any other name would still be…a dragon? (more…)

There’s no shortage of anime available, but so many follow a formulaic pattern that they start to blend together. It can be hard to navigate through the hundreds of different series and try to find something truly original. If you’re looking for shows that breathe life into tired genres, try out these amazing options:

Ookiku Furikabutte (Oofuri/Big Windup)
Genre: Sports

There are dozens of sports anime out there, but none of them are quite as heartwarming and character driven as Ookiku Furikabutte (Oofuri for short). The show centers around the pitcher Ren Mihashi. He’s driven away from his middle school because his pitches are too weak and everyone on the baseball team hates him because he won’t give up the mound to a more promising pitcher. He moves to Nishiura High School and joins the baseball team despite his conflicted feelings. With the help of the pitcher Takaya Abe and his teammates, he realizes he is a great pitcher and comes to gain confidence and skill. (more…)

This is a harem comedy taken, potentially, to the zenith that it could go for. It is less about the fact that this guy has six ladies or 12 ladies or all the ladies in Kankakee chasing after him, but more as what they are. “Monster Musume” (“Everyday Life with Monster Girls” or, “Monsutā Musume no Iru Nichijō^””), tells the very bizarre story of the very bizarre world that Kimihito Kurusu (Mr. Dazed and Confused up there) lives in.

After many, many years of vehement denials, the Japanese Government finally copped to the fact that these ‘monster girls’ exist. That revelation ‘occurred’ three years before the ‘start’ of the anime, brought forth by passing a legal bill, the “Interspecies Cultural Exchange Act”. Now, they are officially referred to as “liminals”, although some still call them ‘monsters’ (I prefer the term ‘exotics’, but that’s just me). Society is trying to mainstream them in, so there is no longer a culture shock when you see a dullahan walking down the street. Kimihito is a volunteer or a host family or patsy for one of them, Miia (redhead at one o’clock), who is a lamia (half human, half snake). About three to four feet of her is human; the rest (potentially a total of 30 feet) is her snake appendage. (more…)

I always have a concern when a movie comes out of a popular TV series, as I fear it will be a compilation of the series itself and nothing new from the show or potentially taking it in a different direction (as with the “Eden of the East” offerings). Now, there are a forest of problems with the “Attack on Titan” movies (yes, there are two of them; this is Part I). The first is, yup, this is merely a compilation film with about 21% new footage. This does help explain certain aspects better, but still comes off as too superficial, compared to the series, when we saw things unfold better. The second is that a lot of plot and motivation was jettisoned to make the film fit a time length and some of those parts that were cut out may have been necessary to the film to explain things better. Well, I only watch and review; what the hell do I know, right?

The third is that this might be a caliber of preparation for the live-action version of “Titan”, but what’s the reason for that? What can you do differently for live-action that you couldn’t do in anime? This seems more like corporate greed than anything else. The fourth problem is the most troublesome: who is it for? If I have seen the series (which I have), there is no reason to see a Cliff Notes® version of it in a movie, as a lot of the flavor is gone and that is what really sold the show. If I haven’t seen the series, then a lot of what the movie reveals will be taken from me if I choose to pursue the series in earnest after seeing the film. (more…)

Usually when you see an OVA, it is a sign or a signal that the second season of a show is coming OR we are going to get the aria from everyone in the show. I mean, you could easily have these two-tripper segments for the whole cast of this show and end up with a 14-episode run, but it didn’t work out that way. We start off the “Nanatsu no Taizai” (“The Seven Deadly Sins”) OVA with Ban. Now, part of his ‘adventure’ is revealed in the run of the show, but it is detailed better in this approach. He is also the only one to get the full treatment/full episode for this OVA; the rest (the second offering) are akin to blackout sketches. Ban’s tale was a bit too fleeting and episodic for the regular run, but it still doesn’t explain how he ended up in that prison we see him in at the beginning of the series.  (more…)

Can I work that ‘East’ tag any harder? This really isn’t a movie in the genuine sense; more like a special that was broken into two segments rather than to plunk us down for three hours to see the dénouement that is “Eden of the East: Paradise Lost”.   I found this a rare offering, where the middle movie was better than the conclusion, as we threw in a needless complication to an already complicated plotline, and that was whether or not Takizawa IS the illegitimate son of the late Prime Minister of Japan.

It does follow the hunt for his mother, who is found living in NYC, tied to that dog with the wings, as well as the final machinations to determine who will be the winner of this contest. This one is more about flashbacks, as we learn how Takizawa was ‘chosen’ to be in this game (along with the other players) and the mysterious man behind it all. Seriously, who can afford to give up or away 12 BILLION yen?!!? (with the exchange rate, about $838 million) for such a lark? (more…)