OK, I made a huge mistake when I watched “Magi: The Kingdom of Magic” is that it is the SECOND season. One should really begin with “Magi: The Labyrinth of Magic”, as it explains and sets up the characters, although it did not really seem to make all that big of a difference, as between flashbacks and expositions, you are more or less brought up to speed on matters. It is loosely based on “1001 Arabian Nights”, as we have Sinbad (he’s the purple hair in the background to the left, next to that tall dude), as well as (right to left) Alibaba, Aladdin, Morgiana and Hakuryuu Ren (OK, it’s a safe bet that the fourth one wasn’t in the books). Oh, that girl with the big boobs at far right? Just ignore her. Yeah, as if. And, yes, she has a seashell bra.

It’s just that when the series starts, everyone is good friends and great pals and marvelous chums and we have some kind of magnificent feast before they all must go on their separate journeys of emotional growth and personal understanding and magical refinement. Of the four, Aladdin has the most arduous journey, as he goes to the city of Magnostadt to learn how to harness and train his power. Think of it like Hogwarts Academy, except there are no dragons. But everyone dresses as you imagine witches to dress (long, flowing robes and ridiculously wide, tall pointy hats). Aladdin is challenged at every turn, but learns about his abilities. But it’s no cakewalk for the others. (more…)

The only thing tougher than being smart as a whip is being the descendant of someone who was the smartest whip in history. Try filling those shoes!

“Galilei Donna” tells the tale of the Ferrari sisters, Hazuki (20), Kazuki (17) and Hozuki (13), who are direct descendants of the great Galileo. It is now the year 2061 and the world is in an energy crisis. For some odd reason, the world has declared war on the Ferrari sisters, accusing them of terrorism against a corporation (and we all know how badly mistreated and misunderstood corporations are) and are actively hunting them down to find them guilty and bring them to trial for energy theft. It’s like “Alice in Wonderland”: ‘No, no!’ said the Queen. ‘Sentence first — verdict afterwards.’

However, the girls have a task, a very special and important task set before them: they are to find the seven sketches that Galileo made of the moon through his first telescope, as there are clues within these sketches to something referred to as the Galileo Tesoro. Well, the evil misunderstood corporation Adnimoon, who are trying to make certain that the world has enough energy, are doing what they can to corral these wild women. The girls are aided by Anna Hendrix, who, right from the get-go, you feel oddly about, and not just because of those jelly-roll curls she sports. (more…)

Another demon show, “Strike the Blood” tells the tale of Akatsuki Kojou, who was a regular kind of student, until an incident turned him into a vampire, as well as the Fourth Progenator. He lives on an artificial island complex where all caliber of monsters, demons and other mystic types reside in peace and solitude. However, dark forces are afoot (don’t these guys have any place to call their home? They are always afoot, causing mayhem and driving up the insurance rates) as they seek to unleash horrors and terrors unimagined….like a Miley Cyrus tour.

As the Fourth, he is viewed with a great deal of suspicion from the other Three Bosses. Just his mere presence is enough to tip the balance of power and the other three feel it would be best if he was dead. Akatsuki? All he wants to do is go to high school and be left alone; he wants no part of this craziness. Well, he doesn’t get a say in the matter. Since it helps things if he was pushing up daisies, the Lion King Organization dispatches a Sword Shaman, but she is to observe the Fourth and then decide to dispatch him, should he prove a danger. That happens to be Yukina Himeragi, who is a mere 14 years of age, but as tough as they come. (more…)

OK, give this show a chance. The problem with “Log Horizon” is that it starts out EXACTLY like “Sword Art Online”, in that you have these people with this Virtual Reality, totally immersive headgear, playing a game (in this case “Elder Tale”) and 30,000 are online when the newest upgrade patch is put in and now are trapped in the game. They refer to the incident as The Apocalypse and they are stuck, with at least no immediate way out.

After this blatant establishing shot, the show decides to take a differing approach to things. One of the ‘benefits’ explored (if you could call it that), is that when you die in the game, you are reborn, so you aren’t completely erased from existence (although even that creates problems). It’s just that you are in this game with absolutely nothing to do: quests are bland and there is a huge amount of Player-Killers, bored to tears as there is no goal and rather than sit on my GCI butt all day, I might as well make things hard for others.

Kai Shirogane (glasses in the middle), called Shiroe, had a reputation among other players, most notable the “villain with glasses”. He was a stunning tactician for the Tea Party Brigade (a non-guild guild where people just had themselves a ripping good time). With his friend Naotsugu Hasegawa, (hulking dude sitting down), Atasuki (far right ninja and assassin) and Nyanta (cat), they decided to do something with the game that the original approach would not allow: transform this into a living, breathing society. This turns out to be far harder but, ultimately, more rewarding, than merely searching for treasure. (more…)

If you have seen “FLCL” (AKA Fooly Cooly), you will enjoy this show. If you have not seen FLCL, well, I would suggest you go and see it, as it will prepare you for “Kill La Kill”. They share quite a lot in common: a rather free-wheeling art style, loose association to a plot (although this one is defined better) and a huge, take-no-prisoners, no holds barred, anything-goes approach to the entire show.

Welcome to Honnouji Academy, one of those academic islands in many animes (“Eiken” was set up like that). But this is more of an Educational Mountain, as everything ends up at the top and the school sits upon the pinnacle. The Academy is ruled over with an iron fist and the steel sword of Lady Satsuki Kiryuin, (the grumpy one on her head with the sword), and her elite four (to the left; more on them later).

Into this cauldron of resentment and travesty comes Ryuko (or Ryuuko, depending on who’s doing the subtitles). Her father was killed by Satsuki and she wants answers, but she cannot battle her. You see, those who Satsuki deems worthy is given a Goku Suit. It is imbued with Life Fibers that enhance your abilities. But it comes with a double edge: It makes your abilities better, but it also fuels and increases your arrogance, your condescension, your disgust of those beneath you. (more…)

So, we are in the second season of “Infinite Stratos”. For those who may have forgotten, in this future world, there are these power suits (not really giant fighting robots; more like body enhancement armor). The trick is, only girls can use them…..until Ichika Orimura shows up as the only male who has ever been able to make it work. However, his training and understanding of the suit is well behind the curve and he is in catch-up mode for such a long time, he should change his name to “Heinz 57”.

The second season carries on with both his training to defeat the evil forces out there and his romantic encounters with the evil forces down here (the rest of the squad). They are beset by an anti-IS group called Phantom Task, whose main goal is to destroy all the IS units, but to also take Ichika into custody. I mean, a guy who can pilot this equipment is really rare, and he just needs to be taken out of the mix, so our plans of world domination can be fully employed.

Oh, I guess I should introduce the rest of the players, following behind Ichika:

Houki Shinonono
Cecilia Alcott
Huang Lingyin
Charlotte Dunois
Laura Bodewig (more…)

I had a hard time with this show, owing to so many mid-course corrections, until I just reached the point where you could not take this show seriously at all. It pretends to be dramatic, but it’s not. It wants to be serious, but it can’t commit to it. It strives to be important, but it undercuts itself. So, just sit down with a big bowl of popcorn and enjoy all the oddness that ensues.

The initial idea was a fine one. Masayoshi Hazama is a male model and that is a rather dull world for him. But he grew up watching all those Japanese superhero shows, believing that good can overcome evil. One night, he decides to go out and be a vigilante for justice, as Samurai Flamenco. Well, it doesn’t go too well for him as (a) he has no physical strength, (b) he has no physical presence and (c) he has no physical commitment, so he ends up getting the tarpaper smacked out of him.

He turns to Hidenori Goto, a neighborhood cop, who is against this foolish idea, but Hazama is committed to doing this. After a while, he does start to make a difference, as he is being taken seriously and this is where things start to go astray. (more…)

Welcome to Sakurashin, a town where humans and youkai co-exist in peace and harmony. The premise of “Yozakura Quartet” is how to maintain the peace with such a divergent amount of folks.

The ‘quartet’ portion of the title involves the four people (and that is good, as a quartet IS four people) who run an office called Hiizumi Life Counseling Office, where their job is to help and protect the townspeople, regardless of their background or origin. The four folks are:

Hime Yarizakura, (dead center with that massive scarf). Although sixteen, she is the mayor of this town, which she inherited from her grandmother, and has supernatural powers. She is loved by all (so you KNOW it’s a fantasy. Who really loves their elected officials?)

Akina Hiizumi (the guy in the black shirt to Hime’s right). He is eighteen and is the only human in this office. He can do ‘tuning’, an ability that can send back the youkai to their world and cut off their connection to the human world. (more…)

As I have always commented, long-form shows have a real problem in that you have to keep the interest going. I have heard that the creator of “One Piece” has enough tales to make 1000 episodes. But are they good episodes? Or are you Mario Mendoza? Mario Mendoza was a major league player for eight years with three different teams and had a lifetime average of .215. He got into baseball, but didn’t do much after that. The third year of Toriko was also like that.

Now, the overall goal is the finding of GOD, the greatest single ingredient ever, and both the IGO and the Gourmet Corp are in battle over it. To this end, Toriko and the other Four Kings do these insane training exercises and activities to help hone their understanding about the true food and what it can do. Sadly, we got to a point where it became the Dragon Ball Z Syndrome.

After some rather arduous training quests, the Gourmet Corp sent out these four hideous beasts that only the Four Kings could battle and condensed the world’s population into a ‘safe zone’ (think about the entire world’s population moved into the United States). These four battles eventually merged into one massive battle that gobbled up loads of episodes, as they battled and battled and battled to seemingly no genuine conclusion. When Komatsu helps turn the tide and the Kings were victorious, it was time for the Food Olympics (for wont of a better term), a competition held every four years to see who is the best chef in the world. But it is a combination of Iron Chef and the Iron Man Triathlon. (more…)

This could broadly be described as another of those “Girls Who Save the World” shows, but it is handled in a slightly different fashion, in that there are no transformation sequences, but their goal is not much different than “Sailor Moon” or Symphonia”.

“Coppelion” tells the story of (left to right) Taeko Nomura, Ibara Naruse and Aoi Fukasaku, who are not what they appear to be. Are they high school girls, on a class trip to Kyoto so they can look at the temples and take advantage of the cuisine there? Not hardly likely.

In 2016, a ‘incident’ at the Odaiba energy plant contaminates all of Tokyo and everyone has to leave (and they never say that it was a nuclear meltdown, although all the Hazmat suits, Geiger counters and radiation symbols plastered everywhere are enough to make it so). But not everyone leaves, for whatever reason. Twenty years later, a distress call is heard from Old Capitol and these girls are dispatched to answer the call.

So these aren’t even real girls. They are clones who have been biologically engineered to be able to withstand massive levels of radiation that would turn the rest of us into instant goo. They are to render immediate first aid and then get those people out of there. The story details their efforts, but it is more than a “Who can we save this week” approach, as that would get boring really fast. (more…)