This is a kind of a magical girl show, but “Magimoji Rurumo” (or “Magi Moji Rurumo”) does not follow the same arc as others of this genre. It all starts at school (as does a huge amount of animes and mangas).

Kota Shibaki (that’s him on her right) is a high-school boy whose only interest is girls, but he is so openly perverted about it, the ladies avoid him. Well, he IS kinda icky. One day, he finds a book in the library about how to summon witches. (I don’t remember my library having books like this. Sure, maybe a science book talking about the just-launched Sputnik satellite, but we can’t ever be up to date on things.)

He tries it as a joke, but it turns out to be the real thing: an apprentice witch named Rurumo appears, to grant him a wish. Shibaki helps Rurumo and she, in return, refuses to take his soul. Well, that’s the nature of contracts with witches. Time passes and Shibaki wishes he could see Rurumo again. His wish is granted immediately as Rurumo falls from the sky and crash-lands in front of him. Well, a lot has happened. He finds out that as punishment for Rurumo not taking his soul, she’s been busted down to an apprentice demon. (more…)

This is a show with a rather capacious title. It is referred to as “Locodol”, short for “Futsū no Joshikōsei ga Locodol Yattemita” or “Normal High School Girls Tried Being Locodols”. OK, a Locodol stands for “Local Idol”, which would be a person (a girl, in this case), who is a city-wide idol or regional-wide idol and not someone nationally known.

In the town of Nagarekawa, Nanako Usami, (second from right), a normal high school girl, is approached by her uncle to become that “Locodol”, partnering with upper-classmate normal high school girl Yukari Kohinata, (second from left) to form the idol unit, Nagarekawa Girls. As the girls use their talent to promote the city of Nagarekawa and their businesses, they are joined by normal high school girl Yui Mikoze, (far right; she wears a costume of Uogokoro-kun) and other normal high school girl Mirai Nazukari, (far left) who serves as Yui’s substitute. (more…)

I usually do not like post-apocalyptic shows, as it always presents the fall and demise of society; however “Sunday Without God” certainly goes in a different direction than you surmise. But there is a big problem with the logic and physics of this dying world we find ourselves in.

It is the future. Fifteen years earlier, God abandoned the world, but initially, didn’t tell anyone. The world made two discoveries: no one was dying and no one was being born. God later came down to say that Heaven was overcrowded (What? Really? And God couldn’t do anything about it?) and that there would be no new admittances and that we were on our own. But it’s like “Death Becomes Her”, in that you have to take care of your body. You can still die, but you just kind of hang around as your body rots away.

In this village of no given name, we find 12-year-old Ai Astin (dead center). Her mother was a gravekeeper, but since she was the last person who could really die and did so, Ai has taken over the position. She tends over the 134 graves in the village, ready for the day when she has to use them. A stranger comes into the town and proceeds to kill everyone, as he looks for this mysterious Hana. His name is Hampnie Hambart (to her right). Since she has no reason to stay in the village and he has places to go, they set out on a journey to try and find Hana and even to help Ai in her quest to save the world God has abandoned. (more…)

Ah, young love. Is there anything more beautiful than young love? Well, maybe an ice-cold bottle of a long-necked Teutonic brew on a painfully hot day, but that’s just me. And I haven’t had young love in a long time. I remember, in my youth, when I was young and a youth and….ahem! Back to the review of “Tamako Market”.

Tamako Kitashirakawa (second from left) is the eldest daughter of a family who runs a mochi shop in the Usagiyama Shopping District. One day, Tamako encounters a strange talking bird named Dera Mochimazzi (I assume you can find that one) who comes from a distant land, searching for a bride for his country’s prince. After becoming overweight from eating too much mochi (a bird who’s a pig?), Dera ends up becoming a freeloader in Tamako’s home. The series follows the everyday life of Tamako, her friends, family and neighbors, and this peculiar bird. (more…)