I am seeing a lot of music animes popping up, and it’s not just folks wanting to be the latest idol band or boy group, but real musical dedication. After having seen “Your Lie in April” and bumbled through two season of “Hibike! Euphonium”, I decided that I would try out “Piano no Mori”, (“Piano’s Forest”) although it is a strange confabulation of events. Also, it’s an anime movie and you know my stance on them. I will watch it and decide later if it was worth it, as they get such a limited to no release at all in the US (more…)

This is an odd series on a variety of levels. I feel that they could have done fuller episodes of this and really explored the unusual relationship between these two people. Or perhaps they wanted it that episodic, as their encounters are that episodic. In any case, “Tawawa on Monday” (“Getsuyōbi no Tawawa”) explores a caliber of casual meetings and greetings in the same vein as “Same Time, Next Year”. (more…)

I remarked that the Japanese will do an anime on anything. Although this is a caliber of romance, it is a more mature effort. This is no high school rom-com, but something more serious. However, it is packaged around the struggles to create a new dictionary. So, you are immediately thinking ‘How dull can that be?’ And, in a broad sense of thing, yes, it is rather dull. I mean, you are just doing research work to make this project fly, as you track down the real meaning of words. It’s the old Connotation vs. Denotation battle that my Freshman English teacher used to hammer into us as we dissected poetry…..but I have digressed again. It’s tough being an old man. (more…)

I once made the comment that it appears that anime companies will do a show on anything. Or so it seems. What initially appears to be an anime on shogi (Japanese chess) turns out to be far more than expected, but that is what you learn with “3 gatsu no Lion” (“March Comes in Like a Lion”). I was worried initially, as it authored by the same person who did “Honey and Clover” and I found that a truly turgid drama. Plus, the art style and approach is like “Your Lie in April”, but I decided to stick with it. It has a lot going for it; it has a lot working against it. But, let’s get down to the board, as it were. (more…)

I really, really thought that this series had reached its conclusion with the movie that tied it all up. Well, yes and no. It’s like the Chef’s Special; it’s never going away. What we did was bid farewell to THOSE people, then repopulated the restaurant with a new brand of misfits, out-of-sorts cranks and other weirdoes. Although it should have been called “Working!!!!” (as each exclamation point indicates the season of it), with a new crew, it’s a new approach; thus we get “www .working!!” (and don’t think that doesn’t cause troubles. You type it properly in and it turns blue, so you can click on it and get linked to somewhere….maybe. I ain’t gonna try that!) (more…)

I am really going to ignore all the suggestions and intimations that this is a yuri show. Yes, it is very heavily tilted towards the troubles and tribulations of the female portions of this high school orchestra. Yes, the tales are about friendship and betrayal and wants and needs and desires. Yes, the ladies do wear a caliber of flirty outfits that tends to emphasize things, but since I feel it lacks a key ingredient to have it go over to the yuri side, “Hibiki Euphonium 2” is just showing us more of the problems that we saw in the first season, now made manifest in the second season. (more…)

OK, I allowed myself to be suckered into this show. I mean, not only is it a sports show, it is also what I call a Squealing Girl Show, as a divergent bunch of ladies find a commonality and bond. In one sense, this show is NO DIFFERENT than “Roar!” That show was ladies on motorcycles; this show, “Long Riders!” (“Rongu Raidāsu!”), is girls on bicycles. (more…)

As of late, I have seen a lot of shows about being in anime or in video games. This is another anime show, but it looks more at the life and times of being a senyuu or a female voice actor. What if after work and dedication, you finally got your dream job? What do you do then? This series, “Girlish Number” (“Gārisshu Nanbā^”, but also seen as the odd “Gi(a)rlish Number”), relates the tale of Chitose Karasuma (that’s her, stuck in the middle with you), a voice actress who has been working in the anime industry for a year. Although she believes she is quite talented, she also thinks the anime industry is out to get her, as she has only been voicing minor or support characters. One day, an opportunity arises for her to voice a main role in an upcoming anime adaptation. (more…)

One thing about a majority of the short-pull series that I see is that many of them are based from 4-koma strips and, boy howdy, does it show! It’s not much more than set-up, joke, punch line, we all have a good laugh and that’s the end of the episode. Next! It almost seems more trouble than it is worth, but these shows can also be quite enjoyable. I tend to think of them as a proving ground for future writers and directors to test the waters without investing a whole lot into it, especially if it tanks. (more…)

One gets the feeling that anime companies will do a show about anything. I mean, there are shows about playing Go (“Hikaru no Go”), performing rakugo (“Shouwa Genroku Rakugo Shinjuu”) and even one about soda cans that turn into girls (“Akikan!”). So, I initially was not surprised when they did one about scuba diving. For most of us, what we know is whatever was gleaned from Jacques Cousteau specials on TV, or, in my case, “Sea Hunt” (yeah, check the archives for that one.) But what about something a tad more casual? Too bad “Amanchu!” is not that show. (more…)