This is an odd series on a variety of levels. I feel that they could have done fuller episodes of this and really explored the unusual relationship between these two people. Or perhaps they wanted it that episodic, as their encounters are that episodic. In any case, “Tawawa on Monday” (“Getsuyōbi no Tawawa”) explores a caliber of casual meetings and greetings in the same vein as “Same Time, Next Year”. (more…)
I remarked that the Japanese will do an anime on anything. Although this is a caliber of romance, it is a more mature effort. This is no high school rom-com, but something more serious. However, it is packaged around the struggles to create a new dictionary. So, you are immediately thinking ‘How dull can that be?’ And, in a broad sense of thing, yes, it is rather dull. I mean, you are just doing research work to make this project fly, as you track down the real meaning of words. It’s the old Connotation vs. Denotation battle that my Freshman English teacher used to hammer into us as we dissected poetry…..but I have digressed again. It’s tough being an old man. (more…)
I once made the comment that it appears that anime companies will do a show on anything. Or so it seems. What initially appears to be an anime on shogi (Japanese chess) turns out to be far more than expected, but that is what you learn with “3 gatsu no Lion” (“March Comes in Like a Lion”). I was worried initially, as it authored by the same person who did “Honey and Clover” and I found that a truly turgid drama. Plus, the art style and approach is like “Your Lie in April”, but I decided to stick with it. It has a lot going for it; it has a lot working against it. But, let’s get down to the board, as it were. (more…)
Although I really enjoyed this show, there is a certain degree or caliber of sexism in it. I’ll explain that as we proceed. OK, so it’s another school-based rom-com. What are the odds of that!??! (more…)
Is it just me, or do the ladies seem to have more shows about them than the guys? Are ladies just that more intrinsically interesting or do we like to see how they overcome a plethora of problems designed to weed out the weaklings and we end up with a stronger, more empowered woman? Or is it just big boobies in tiny outfits? That seems a bit much to lay on a bunch of 15 and younger gals, but that’s the idea behind “ViVid Strike”, although the full and complete title is “Magical Girl Lyrical Nanoha ViVid” (“ViVid Mahō Shōjo Ririkaru Nanoha Vividdo”, and don’t ask why they spell it that way). Oh, and this is the second season of the show, not that it really mattered in how it all came to be. (more…)
Well, this certainly is a different approach to the horror genre. It’s potentially just as bloody as “Terra Formars” or “Blue Gender”, but it moves it in another direction, so it’s not as cut and dried as you may think, which kinds of frees it up from the standard conventions that bedevil horror shows. (more…)
I really, really thought that this series had reached its conclusion with the movie that tied it all up. Well, yes and no. It’s like the Chef’s Special; it’s never going away. What we did was bid farewell to THOSE people, then repopulated the restaurant with a new brand of misfits, out-of-sorts cranks and other weirdoes. Although it should have been called “Working!!!!” (as each exclamation point indicates the season of it), with a new crew, it’s a new approach; thus we get “www .working!!” (and don’t think that doesn’t cause troubles. You type it properly in and it turns blue, so you can click on it and get linked to somewhere….maybe. I ain’t gonna try that!) (more…)
What would you give to be able to relive a crucial part of your life and correct mistakes that you had made at that time? Would this give you a better chance for the rest of your life? Are you up to the task? Can you keep a secret? Do you like having a minimum wage job and no girlfriend? Have you registered to vote? (more…)
This is what I call an iteration series. Huh, what do you mean? The reason we have the year in parenthesis is that this show was done before, way back in 1997, but this version of “Berserk (2016)” (“Beruseruku”) is potentially a lot that the previous series was not, like openly bloody and endlessly violent. (more…)
I remember, when I was young, and my heart was an open book, maybe sixth grade (it was a long time ago, about when we had to stop hunting mastodons for food), we had to do an assignment, which was write a letter to our future self that would be read ten years from then. Well, I wrote some caliber of nonsense and eventually lost the letter. It was probably a good thing, too. In any case, this is part of the plot for the anime “Orange” (“Orenji”).
It is the past. Naho Takamiya, (in the center), a second year high school student, receives letters sent from herself 10 years into the future. Her future self asks her to prevent her “biggest regret”, which has something to do with the new transfer student, Kakeru Naruse (black hair to her left). At first skeptical, Naho begins to believe the letters, as they accurately predict events. When the letter asks her not to invite Kakeru to go out for the first day, Naho and her friends (left to right, Takako Chino, Hiroto Suwa, Azusa Murasaka and Saku Hagita) decide to invite him anyway. Kakeru ends up not attending school for the next two weeks.
When she learns of the terrible fate that will befall Naruse if she does nothing, she strives to prevent the past events from happening, thus altering the future. The series details not only those efforts but how our little troupe fare in the future.
Time shift shows like this are difficult, as you have to balance the two realities, so things are credible. We, of course, are not going to ask the question as to how the future letters got into the past, as that would cause the series to totally collapse (think of the movie “The Lake House”), so you just move along with the events and see the ever-increasing stakes in the actions that they all perform in order to save a friend.
We also see how they have to learn not to be afraid, as a small slip here can create a larger slip down the line, and at a time when you may not be able to correct it, and that you have to believe in yourself, whether it is the now version or the future version.
Late in the show, there is a very good discussion regarding multiple dimensions, which also explains away the problems we encounter with the original future time story line. At its core, it is still a story about the bonds and strength of friendship, but it is done in a very concerted and focused manner. Perhaps not as intense as “Erased”, there is a still a good story to be told and the potential downfalls of not believing what the future you is imparting to the past you.
There is a movie coming out, but I am hoping it is a real movie and not a compilation film of the series. It’s already out in Japan; we get to wait another year or so. Or longer. Did I not get the memo?
On a scale of 1 to 10:
Artwork 7 (Typical but useful)
Plot 8 (Done quite well)
Pacing 7 (Moves along consistently)
Effectiveness 8 (Good use of the time shift)
Conclusion 7 (It reaches a ‘coupler point’, but hasn’t ended)
Fan Service 2 (A similar show would be “Okamisan”)
Overall 8 (Good use of the time paradox idea)
And remember, it’s first run until you’ve seen it. You got one, too?