Just after “Your Lie in April” concluded, out came their OVA. This is a rare OVA, in that you have to see the series all the way through before you can honestly watch the OVA. The entire OVA is referenced throughout the series and it makes a caliber of sense when you see this, as you were given all the clues. I am assuming it is about four years earlier, so everyone is 10 or so, although the picture may give an indication of being eight. It’s hard to tell. We have the three main players on that bench, each noshing on their favorite treat.

Left to right, Emi Igawa, Kosei Arima and Takeshi Aiza, are all the same age and are all tremendously gifted pianists, but everyone takes a back seat to what Arima does. He is the Human Metronome, in that he plays the music perfectly. There isn’t much color or spark in what he does (unlike his rivals), but the judges look for technical perfection and Arima has that in spades. Here’s the funny thing: Arima is in competition against himself, trying to win over the love of his dying mother, who is as rough as they get. Emi and Aiza are chasing Arima and always coming up short. For the most part, there are your medalists, so to speak, as the rest of the competitors are left with scraps. (more…)

This is another in the “Girls Who Save the World” genre, but, potentially, taken to the zenith of the idea. Also, sharing a lot with shows like “Upotte” and “Strike Witches”, “Kantai Collection” (also known as “Combined Fleet Girls Collection” and the nickname “Kancolle”) really goes all out with things.

In this Alternative Universe, although there is a World War going on, it is not fought with the other peoples of earth, but an alien group, bent on World Domination. “We will control all the Fun Size Snickers bars, so there!” Hahahahahahahahaha…………ahem! We are fighting on the high seas with girls who are battleships. By the style of ship and airplane, as well as off-duty garb, I would put this somewhere between 1938 and 1941 (if we were using a real calendar). Our heroine Fubuki (brown hair, second from right. It was hard to find a group shot of most of them that could be easily comprehended as to what was going on that wasn’t also smut smack) has been asked to join the task fleet. She is a destroyer, but we have all grades of ships: torpedo boats, aircraft carriers, communication ships, battle cruisers. (more…)

I guess I should get around to this show; after all, it is #4 on my fan service list. “Gurren Lagann”, known in Japan as “Tengen Toppa Gurren Lagann” (“Pierce the Heavens, Gurren Lagann”) is a giant fighting robot show, but it is done differently than most GFRs, so I personally was able to tolerate a bit better, despite some pacing problems. But let’s get down to brass tacks, eh?

We are on Earth. Well, I assume it’s Earth. Does it matter? But we aren’t ON Earth; rather, underneath it. Simon (but pronounce it as ‘Simone’, he’s front and center) is a digger and may be the best one that they have in our underground enclave. He dreams of a better life, but he ain’t gonna get it. Stick to your drill, boy. He is befriended by Kamina (Mr Flashy up there in the Oakley or Maui Jim or Ray-Ban shades), who needs people to recruit into his dream of visiting the surface world. Oh, you should hear the guffaws around that one! One day, Simon finds a drill-shaped key. Well, it’s cute, so he hangs onto it. (You can just see it under his crossed arms). (more…)

Yeah, this is another “Girls Who Save the World” anime, but the operative word here is ‘save’. I’ll explain “Isuca” as we go along.

We start off with Shinichirō Asano. To the entire world, he appears to be your typical anime high school male: just a tad on the clueless side. He follows some woman down a darkened street or alleyway or another caliber of pedestrian pathway. She then turns into a gigantic soul-sucking centipede or some other ilk of icky bug (please, keep your comments to yourself about women until the end, OK?) He is saved by a bow-wielding archer that cuts down said bug woman in nothing flat. This woman is Sakuya Shimazu, a well-liked classmate. We also learn that she is destined to be the 37th head of the Shimazu family, who, for generations, have been sealing away youmas and other nasties that crawl in the night (but no politicians. Drat, but you can’t have it all).

It is decided (not by either of them) that he is to move in with her and basically run the household. You see, Sakuya does not play well with others, can’t figure out which end of a frying pan to use and needs all the help she can get. Shinichiro needs a job and there you have it. The series contends itself with several storylines: Sakuya’s struggle to be the next head of the family while learning her skills, how helpful Shinichiro can/will/is going to be to her and himself and how they both/all deal with the very mysterious Isuca, a force to be reckoned with. (more…)

I actually had a chance to view this about six months earlier, but the capsule description seemed a bit uncertain and I’m not a fan of music shows. I find they are in the area of sports shows, where we end up focusing too much on the performance and the show loses something about the people. But then I heard that this was a really romantic series, the best in the past few years. On Free Comic Book Day, one of the offerings was a manga sampler, of which the first chapter of this tale was shown. Well, with all these promotions, I had to see it.

The show is “Your Lie in April”, known in Japan as “Shigatsu wa Kimi no Uso” (“April is Your Lie”) and tells the story of piano prodigy Kousei Arima (glasses up there). He dominated the world of piano competitions and became famous among child musicians. His mother, who was also his instructor, was a very tough taskmaster. She died and he had a mental breakdown while performing at a piano recital at the age of eleven. As a result, he was/is no longer able to hear the sound of his piano even though his hearing is perfectly fine, and he completely disappeared from the scene. (more…)

With the end of the first season of “Tokyo Ghoul”, there was still a huge amount of work to do and things were not properly resolved. The second season, which appears to be called “Tokyo Ghoul Square Root of A (“Tokyo Ghoul √A”), picks up where the first season left off and therein lies the troubles.

The first season was trying to help us understand what Kaneki was going through (that’s Mr. Moody up there), a person who was a college student, and now is a ghoul. Couldn’t you have chosen a better major? He suffered a huge amount of tortuous abuse at the hands of Jason last season and dispatches him at the start of this season, but decides to join Aogiri Tree, a fierce ghoul group who clash with the CCG (Commission of Counter Ghoul) over a degree or supremacy and of whom the aforementioned Jason was part of. The problem with the show, overall, is that we turn into the Dragon Ball Z Syndrome: endless fighting amid endless fighting when we are not endlessly fighting. I mean, it’s like the Churchill quote: “…we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields, we shall fight in the hills; we shall never surrender.” And they proceed to do just that. (more…)