Another Studio Ghibli release, “The Tale of the Princess Kaguya” (Kaguya-hime no Monogatari) is 95% of a marvelous film. A rather cheap-out ending mars an otherwise magnificent effort, both in story-telling and animation approach.

A bamboo cutter named Sanuki no Miyatsuko lives high in the mountains, plying his trade. One day, while doing his rounds, he discovers a glowing bamboo shoot. Inside is a tiny, tiny girl. Believing her to be a divine presence, Miyatsuko and his wife decide to raise her as their own, calling her “Princess“. The girl grows rapidly and conspicuously, marveling her parents and earning her the nickname “Takenoko” (Little Bamboo) from the other children in the village. Sutemaru, the oldest among Kaguya’s friends, develops a particularly close relationship with her. (more…)

We have the third season of “Black Butler: Book of Circus”, which gives a complete story approach (much like the second season), but is far more entertaining, and far more heartless.

It is February 1886 and Ciel has been asked by the Queen to help her again. It seems that there is an epidemic of children disappearing, and not just one or two, but lots of them, as if they have been Pied Pipered away. The only link is the Noah’s Ark Circus, which has been to the towns that have missing children and it just happens to be coming to London in the next few days. The Queen wants Ciel and Sebastian to investigate and at least prove or refute the charges.

To this end, they infiltrate the circus, pretending to be commoners and apply for a job. The series details their adventures to crack this mystery. (more…)

It’s the past. (The past? How did that happen? Anime is about the future!) The year is 1931 and we find ourselves in Shanghai. There is a great build-up of forces from Japan, which threatens to engulf the area in war, as the need for conquest and land acquisition looms. Into this volatile mix is flung a group of people, collectively known as the Sakurai Agency, but they really are a spy ring. But they are more than they seem. They are, from left to right:

Aoi Miyoshi, Kazura Iha, Yukina Sonogi and Natsumi Kayiga. Not pictured is their boss, Shin’ichirou Sakurai. But these people are no ordinary spies; they have special abilities that aid them in their investigations. Their powers are, respectively, telekinesis, teleportation, telepathy and tele-clairvoyance. (OK, I couldn’t help myself). He is also an excellent sniper.

Together, they battle the Kwangtung army and its mysterious leader, Isao Takachiho, who is bent on the idea of Pan-Asianism, and will use any and all means to achieve it.

Now, if you put aside the special abilities folks seem to have, this is a series with loads of intrigue, from the era of pulp novels and detective work. It is a very good-looking series, as you really get a feel for Shanghai of the 30s. The fact that we know the eventual outcome for all of this does not detract from the agency’s attempt to prevent it. (more…)

I am not a big fan of ‘historical’ anime, as they always seem to play fast and loose with the rules. Modern sensibilities, placed on a different era, sometimes equal a show that just doesn’t make it, either as anime or history.

“Shigurui” plays out more like a Kurosawa film, akin to “Rashomon” or “Yojimbo”, but the level of mayhem and violence places it within the realm of “Gantz” or  “Deadman Wonderland”.

The story begins in 1629, as we are seeing a tournament between, perhaps, two of the country’s best swordsmen. However, they are using real swords and not wooden practice ones, so this will be a fight to the death.

The two men participating, Fujiki Gennosuke (who has one arm) and Irako Seigen (who is blind) not only have a history, but each has a history together. The show is a flashback as to how these two ended up here and in their current physical situation.

It all begins at the Kogen dojo, where Gennosuke is the star pupil and Seigen is the brash upstart who puts Gennosuke in his place. Kogan Iwamoto, the head of the dojo is, for most of the year, mentally unbalanced and is slowly rotting away, but for a brief period once a year, he becomes lucid and coherent and makes decisions that affect the dojo for the next year.

Seigen, blinded by his arrogance, carries on an affair with Lady Iku, who is looking for something away from Iwamoto. Well, the sensei finds out, which leads to their physical travails and both are sent packing. However, years later, Seigen comes back, seeing revenge by brutalizing the students of the dojo in savage ways. (more…)

Taking a play from an old ad campaign that use to run here in the states to discourage parents drug habits from having a transitioning influence on their kids; I can only start off by saying that I can imagine some unsuspecting adolescent quietly watching Kingdom in the comforts of his own room until his father busts in on him:

Dad: What are you doing!?
Son: *Startled* jumps up to hide the screen.
Dad: ANIME!  Who taught you to watch ANIME!?  TELL ME!
Son: YOU DID! DAD! I LEARNED IT FROM YOU!
Dad:     

Kingdom Synopsis:

In the Warring States Period of ancient China (475-221 BCE), Shin and Hyou are war-orphans in the kingdom of Qin. They dream of one day proving themselves on the battlefield. One day, however, Hyou is taken to the palace by a minister. Winding up on the losing side of a power-struggle, Hyou manages to return to the village, barely alive. Shin then meets a boy who closely resembles Hyou, Ei Sei. For now he is the king of Qin; later he will become the emperor Shi Huangdi. (more…)