It took me a little while to tumble to “Plastic Memories” (“Purasutikku Memorīzu”), but I realized that it was a take on the “Mahoromatic” theme of limited time and why must this have to be this way? (Disclosure time: “Mahoromatic” is my personal best anime series, as I have all the DVDs plus I have done about 100 fanfics for it).

We are in the future and the future has androids. SAI Corporation, the leading android production company, has introduced the Giftia, a new android model with the most human-like qualities of any model. The lifespan of a Giftia is 81,920 hours (roughly nine years and four months), but if they pass their expiration date, it causes personality disintegration, memory loss and outbreaks of violence. Kind of like a football fan in the off-season.

As a result, the employees of the Terminal Service (responsible for retrieving androids which are close to reaching the end of their service lives and erasing the androids’ memories) must go to the owner of the Giftia and retrieve it. Those assigned to the Terminal Service work in teams consisting of a human (called a “Spotter”) and a Giftia (called a “Marksman”). The story follows protagonist Tsukasa Mizugaki (far right) and a Giftia named Isla (next to him), both of whom work in SAI Corp’s Terminal Service No. 1 office. (more…)

Look, there HAD to be another season of “DxD”, as so much was left hanging out there (and I don’t mean all the naked boobies, and there are a lot of those!) But this season, called “High School DxD BorN” (and why it is done that way, I do not know. I can’t find rhyme nor reason for it) felt like treading water.

It is summer break at the school, but as we know, there is no rest for the wicked. The Occult Research Club members are going on a trip to the underworld. Man, I said DISNEY World (You have got to enunciate!) Aside from gaining valuable training experience and expertise, it gives the members a real chance to bond, as we have added a few more to the chessboard. However, it’s not going to be all fire and brimstone, as Loki and the Chaos Brigade show up and do what their name intends. The series contends itself with trying to keep the team together while battling seemingly overwhelming odds against implacable foes, bent on, at least, personal destruction. And naked boobies. (more…)

“The Eden of the Grisaia” takes our story arc to its ultimate conclusion. At the end of “Labyrinth”, we discover that the ladies came across Kajima’s notes regarding his report on himself and none of them realized that he was, at least, as damaged as they were and potentially more so than any of them could realize. They want to help him, but things take a hideous downturn.

Kajima’s old master/tutor/mentor/father figure Heath Oslo, has come back to town with an absolutely nefarious scheme that may potentially destroy everyone (except him. But do you really want to groove on the rubble?) Adding to the consternation of all, the Academy’s funding has been turned off and it must shut down, dispensing the ladies onto the winds of the world. But they are saved by the mysterious voice and brain of Thanandos, an entity that can help direct them. This now turns into a giant cat-and-mouse game, as we have to fly under the radar to try and save Yuuji.

The fact that it goes 10 episodes made me grind my teeth. We set up a very elaborate plan to get Yuuji free from his captors. This took four episodes to set up, and it strained credulity, but I stayed with it, as I watched it unfurl. It was one of those situations where you do A to get B, which helps you with C, giving you D to obtain E. None of the players are aware of all of this and it moves well enough to avoid detection. Pretty good results for a bunch of high school girls running it. Oh, and we learn who Thanandos really is. (more…)

Now, I have never seen anything regarding “Cardcaptor Sakura”, although I am aware that it is a CLAMP project, so that means it fits in to the other CLAMP worlds and that this Sakura is somehow related to the Sakura from “Tsubasa Chronicles”. (No, that’s OK; you do not have to outline the universe for me. It would probably wash over me, anyway.) I did want to see if I could watch this movie (“Cardcaptor Sakura: The Movie”, “Gekijōban Kādokyaputā Sakura”) with little to no understanding as to what it is about or what it all means. At best, it was a partial victory.

We open the film with Sakura Kinimoto, struggling to capture the Arrow Card, which she is able to seal, with a little help from her friends. That night, she has a strange dream about these ribbons that bind her and take her to see a very elegant Chinese lady (that is the woman up there and, yes, she is a degree of displeased). Sakura then magically wins a Winter Break trip to Hong Kong and she takes along Tomoyo Daidouji, her best friend and support team, her worthless brother Toya and his best friend Yukito Tsukishiro (whom Sakura has a crush on). Also coming along for the ride is Sakura’s guardian, Kero-chan (hanging on Sakura’s shoulder) and he is more than he seems, but for the film, he’s in that form. (more…)

I did catch part of this at Fanime!, not realizing that “The Princess and the Pilot” (“To Aru Hikūshi e no Tsuioku”, “Recollections for a Certain Pilot”) was NOT “The Pilot’s Love Song”, even though both have the same general idea (and some theorize it is set in the same universe). I had to track it down later on, as I saw the bottom half and I needed the first part to understand what it was all about. You can try and piece things together from the second half and you could get the whole thing wrong. When I had a lumpy chance to see it (I caught it on a site that broke it up into four segments), I went for it.

It is an alternate universe, although the planes imply something late 30s to early 40s (if we used our calendar). What skews the ideas are these massive aircraft, which have a series of double propeller engines that generate 1.21 gigawatts of power to keep them aloft. The ships are huge, about the size of Delaware, yet these comparatively puny engines have them sailing along, singing a song. And how fast do they move? It looks like a tree could outrun them. Anyway, the country of San Maltilia is hosting a party for Prince Carlo, the next ruler of the Levamme Empire. He is awaiting the presentation of Lady Juana del Moral, who would be next in line for the throne. Her father, King Diego (whom my daughter thought looked like Gary Busey. Don’t be sticking a seashell in her ear, now!) wants this to go well, as these upcoming nuptials will strengthen relationships between these two nations, and make the del Morels a more powerful family. (more…)

Just after “Your Lie in April” concluded, out came their OVA. This is a rare OVA, in that you have to see the series all the way through before you can honestly watch the OVA. The entire OVA is referenced throughout the series and it makes a caliber of sense when you see this, as you were given all the clues. I am assuming it is about four years earlier, so everyone is 10 or so, although the picture may give an indication of being eight. It’s hard to tell. We have the three main players on that bench, each noshing on their favorite treat.

Left to right, Emi Igawa, Kosei Arima and Takeshi Aiza, are all the same age and are all tremendously gifted pianists, but everyone takes a back seat to what Arima does. He is the Human Metronome, in that he plays the music perfectly. There isn’t much color or spark in what he does (unlike his rivals), but the judges look for technical perfection and Arima has that in spades. Here’s the funny thing: Arima is in competition against himself, trying to win over the love of his dying mother, who is as rough as they get. Emi and Aiza are chasing Arima and always coming up short. For the most part, there are your medalists, so to speak, as the rest of the competitors are left with scraps. (more…)

Yeah, this is another “Girls Who Save the World” anime, but the operative word here is ‘save’. I’ll explain “Isuca” as we go along.

We start off with Shinichirō Asano. To the entire world, he appears to be your typical anime high school male: just a tad on the clueless side. He follows some woman down a darkened street or alleyway or another caliber of pedestrian pathway. She then turns into a gigantic soul-sucking centipede or some other ilk of icky bug (please, keep your comments to yourself about women until the end, OK?) He is saved by a bow-wielding archer that cuts down said bug woman in nothing flat. This woman is Sakuya Shimazu, a well-liked classmate. We also learn that she is destined to be the 37th head of the Shimazu family, who, for generations, have been sealing away youmas and other nasties that crawl in the night (but no politicians. Drat, but you can’t have it all).

It is decided (not by either of them) that he is to move in with her and basically run the household. You see, Sakuya does not play well with others, can’t figure out which end of a frying pan to use and needs all the help she can get. Shinichiro needs a job and there you have it. The series contends itself with several storylines: Sakuya’s struggle to be the next head of the family while learning her skills, how helpful Shinichiro can/will/is going to be to her and himself and how they both/all deal with the very mysterious Isuca, a force to be reckoned with. (more…)

I actually had a chance to view this about six months earlier, but the capsule description seemed a bit uncertain and I’m not a fan of music shows. I find they are in the area of sports shows, where we end up focusing too much on the performance and the show loses something about the people. But then I heard that this was a really romantic series, the best in the past few years. On Free Comic Book Day, one of the offerings was a manga sampler, of which the first chapter of this tale was shown. Well, with all these promotions, I had to see it.

The show is “Your Lie in April”, known in Japan as “Shigatsu wa Kimi no Uso” (“April is Your Lie”) and tells the story of piano prodigy Kousei Arima (glasses up there). He dominated the world of piano competitions and became famous among child musicians. His mother, who was also his instructor, was a very tough taskmaster. She died and he had a mental breakdown while performing at a piano recital at the age of eleven. As a result, he was/is no longer able to hear the sound of his piano even though his hearing is perfectly fine, and he completely disappeared from the scene. (more…)

This was a show that started off with good promise, but got bogged down in details, so that it lost a huge amount of steam in the process. “Saekano: How to Raise a Boring Girlfriend” (“Saenai Hiroin no Sodatekata” “How to Train the Ordinary Girl to be a Heroine”), tells the story of Tomoya Aki. He is a textbook nerd otaku, as he also has a blog where he reviews EVERYTHING: mangas, animes, video games. I think he even rates the figurines that one can get as well. His life is wholly, solely devoted to this, and he practically has no time for anything else…except his part-time job to fund all of this madness.

But he has dreams and hopes and ideas and what he wants to do is make a visual novel computer game, but not any VN game; it has to be the Greatest Game Ever for Eternity! This is fueled by a vision of a beautiful girl he saw at the top of a hill, cherry blossoms fluttering about her. Well, he is an idea man, but is skint on being able to produce what he wants. To this end, he enlists the help of several girl supports, for script and art design and music and whatnot. Two of them are in his class, so he tries to inveigle school beauties Eriri Spencer Sawamura (left) for designing the artwork and visual approach, and Utaha Kasumigoaka (right) for writing the game scenario. (more…)

Are there genuinely that many food shows out there? Or am I just coming upon them all at once? This offering, “BONJOUR♪Sweet Love Patisserie”, (Bonjour Koiaji Pâtisserie; yes, that musical note is required) tells the story of Sayuri Haruno (can you find the cupcake with the cake?) Now, Fleurir Academy is a prestigious culinary institution (and aren’t they all? I mean, do you really want to go to Duane’s School of Dinner Preparation and Stuff?) and all the people here are destined, fated, kismeted (is that a word? It is now) to go on to bigger and better things. It’s like “Toriko”, but without that nonsense food.

Our heroine is here on a scholarship, which is unheard of. NO ONE gets a free ride here, but here she is (and on that take, it reminded me of “Kitchen Princess”). Now, to make matters worse, her actual teachers are these four-star hunks, oozing with charm and sophistication and plate appeal that it’s a wonder any of the girls can make their confectionaries. They are (clockwise from lower left) Ryo Kouduki, Gilbert Hanahusa, Yoshinosuke Suzumi and Mitsuki Aoi) and are the veritable kings of the campus. (more…)