This particular comedy “Ane-log” (“Sister Log”, or the complete title of “Ane-log: Moyako Nee-san no Tomaranai Monologue” which is “Moyako’s Never-Ending Monologue”) is strange in that it has a fundamental flaw, but that doesn’t prevent us from having a lot of fun with it.

Many, many years ago, let’s say 10 years earlier or so, Akira told his slightly older sister Konoe that he wanted to marry her. Now, at this very point in their lives, Moyako is wholly, solely convinced that Akira is a grand pervert who wants nothing more than to physically and emotionally subjugate her into being a sex slave. Nothing could be farther from the truth, but Moyako’s overheated imagination runs rampant and even the slightest gesture or comment sends her reeling. SHE is the big pervert and nothing can rein in her unbridled thoughts.

The above scene comes from when Akira spilled coffee on himself and Moyako thinks he is going to use this as an excuse to strip down and flaunt his goodies before her. So what’s the flaw? Why is it now? Why is all of this coming to fruition at this juncture in time? (more…)

“Re-Kan” (or “Rekan”, if you like or “Sixth Sense” if you need it in English) is a rather strange ghost story. Or maybe it’s closer aligned to supernaturalism than mere poltergeistian activities. It is not handled in the usual sense of “G-g-g-g-ghosts!!!!!” that we have come to encounter, although we do have at least one character of that type. That ‘new idea’ gives it a rather refreshing take on things, more or less.

We start off with Hibiki Amami (far left) who has this ‘special ability’ and can (and does) interact with ghosts and supernatural beings as well as talking with cats and other animals. She transfers to a new school, but none of her peers share that ability. Class representative Narumi Inoue (grumpy blonde) despises anything related to the occult but eventually becomes friends with Amami due to the latter’s character. The story follows their everyday antics. Oh, the rest of the cast.

Although you cannot see them in this shot very well, Kana Uehara (middle) and Kyōko Esumi (long amber hair towards the right) both sport a caliber of the Veronica Lake look, except we can see their hidden eye. Now, whereas Inoue flees in terror at any mention of ghosts, these two embrace it, with Kana taking some Class-A photos of the spirits and loading it up to her Spook Blog. The last one seen is Makoto Ogawa, who has no trouble with ghosts, as she has a severe zombie fixation, so a dead specter is a snap. Not shown in the lone boy of the group, Kenta Yamada, who is a bit of a dork and gets clobbered roundly by Kyoko for being a bit of a dork. (more…)

Look, there HAD to be another season of “DxD”, as so much was left hanging out there (and I don’t mean all the naked boobies, and there are a lot of those!) But this season, called “High School DxD BorN” (and why it is done that way, I do not know. I can’t find rhyme nor reason for it) felt like treading water.

It is summer break at the school, but as we know, there is no rest for the wicked. The Occult Research Club members are going on a trip to the underworld. Man, I said DISNEY World (You have got to enunciate!) Aside from gaining valuable training experience and expertise, it gives the members a real chance to bond, as we have added a few more to the chessboard. However, it’s not going to be all fire and brimstone, as Loki and the Chaos Brigade show up and do what their name intends. The series contends itself with trying to keep the team together while battling seemingly overwhelming odds against implacable foes, bent on, at least, personal destruction. And naked boobies. (more…)

Now, I have never seen anything regarding “Cardcaptor Sakura”, although I am aware that it is a CLAMP project, so that means it fits in to the other CLAMP worlds and that this Sakura is somehow related to the Sakura from “Tsubasa Chronicles”. (No, that’s OK; you do not have to outline the universe for me. It would probably wash over me, anyway.) I did want to see if I could watch this movie (“Cardcaptor Sakura: The Movie”, “Gekijōban Kādokyaputā Sakura”) with little to no understanding as to what it is about or what it all means. At best, it was a partial victory.

We open the film with Sakura Kinimoto, struggling to capture the Arrow Card, which she is able to seal, with a little help from her friends. That night, she has a strange dream about these ribbons that bind her and take her to see a very elegant Chinese lady (that is the woman up there and, yes, she is a degree of displeased). Sakura then magically wins a Winter Break trip to Hong Kong and she takes along Tomoyo Daidouji, her best friend and support team, her worthless brother Toya and his best friend Yukito Tsukishiro (whom Sakura has a crush on). Also coming along for the ride is Sakura’s guardian, Kero-chan (hanging on Sakura’s shoulder) and he is more than he seems, but for the film, he’s in that form. (more…)

Just after “Your Lie in April” concluded, out came their OVA. This is a rare OVA, in that you have to see the series all the way through before you can honestly watch the OVA. The entire OVA is referenced throughout the series and it makes a caliber of sense when you see this, as you were given all the clues. I am assuming it is about four years earlier, so everyone is 10 or so, although the picture may give an indication of being eight. It’s hard to tell. We have the three main players on that bench, each noshing on their favorite treat.

Left to right, Emi Igawa, Kosei Arima and Takeshi Aiza, are all the same age and are all tremendously gifted pianists, but everyone takes a back seat to what Arima does. He is the Human Metronome, in that he plays the music perfectly. There isn’t much color or spark in what he does (unlike his rivals), but the judges look for technical perfection and Arima has that in spades. Here’s the funny thing: Arima is in competition against himself, trying to win over the love of his dying mother, who is as rough as they get. Emi and Aiza are chasing Arima and always coming up short. For the most part, there are your medalists, so to speak, as the rest of the competitors are left with scraps. (more…)

This is another in the “Girls Who Save the World” genre, but, potentially, taken to the zenith of the idea. Also, sharing a lot with shows like “Upotte” and “Strike Witches”, “Kantai Collection” (also known as “Combined Fleet Girls Collection” and the nickname “Kancolle”) really goes all out with things.

In this Alternative Universe, although there is a World War going on, it is not fought with the other peoples of earth, but an alien group, bent on World Domination. “We will control all the Fun Size Snickers bars, so there!” Hahahahahahahahaha…………ahem! We are fighting on the high seas with girls who are battleships. By the style of ship and airplane, as well as off-duty garb, I would put this somewhere between 1938 and 1941 (if we were using a real calendar). Our heroine Fubuki (brown hair, second from right. It was hard to find a group shot of most of them that could be easily comprehended as to what was going on that wasn’t also smut smack) has been asked to join the task fleet. She is a destroyer, but we have all grades of ships: torpedo boats, aircraft carriers, communication ships, battle cruisers. (more…)

Yeah, this is another “Girls Who Save the World” anime, but the operative word here is ‘save’. I’ll explain “Isuca” as we go along.

We start off with Shinichirō Asano. To the entire world, he appears to be your typical anime high school male: just a tad on the clueless side. He follows some woman down a darkened street or alleyway or another caliber of pedestrian pathway. She then turns into a gigantic soul-sucking centipede or some other ilk of icky bug (please, keep your comments to yourself about women until the end, OK?) He is saved by a bow-wielding archer that cuts down said bug woman in nothing flat. This woman is Sakuya Shimazu, a well-liked classmate. We also learn that she is destined to be the 37th head of the Shimazu family, who, for generations, have been sealing away youmas and other nasties that crawl in the night (but no politicians. Drat, but you can’t have it all).

It is decided (not by either of them) that he is to move in with her and basically run the household. You see, Sakuya does not play well with others, can’t figure out which end of a frying pan to use and needs all the help she can get. Shinichiro needs a job and there you have it. The series contends itself with several storylines: Sakuya’s struggle to be the next head of the family while learning her skills, how helpful Shinichiro can/will/is going to be to her and himself and how they both/all deal with the very mysterious Isuca, a force to be reckoned with. (more…)

I actually had a chance to view this about six months earlier, but the capsule description seemed a bit uncertain and I’m not a fan of music shows. I find they are in the area of sports shows, where we end up focusing too much on the performance and the show loses something about the people. But then I heard that this was a really romantic series, the best in the past few years. On Free Comic Book Day, one of the offerings was a manga sampler, of which the first chapter of this tale was shown. Well, with all these promotions, I had to see it.

The show is “Your Lie in April”, known in Japan as “Shigatsu wa Kimi no Uso” (“April is Your Lie”) and tells the story of piano prodigy Kousei Arima (glasses up there). He dominated the world of piano competitions and became famous among child musicians. His mother, who was also his instructor, was a very tough taskmaster. She died and he had a mental breakdown while performing at a piano recital at the age of eleven. As a result, he was/is no longer able to hear the sound of his piano even though his hearing is perfectly fine, and he completely disappeared from the scene. (more…)

This was a different show for me. Yes, it is a dancing show, and, on a nuts-and-bolts level, not much different than “AKB0048” or “Long Live!”, in that a group of girls wish to perform, but it is done in a different manner and it is earnest without being overweening. “Hanayamata” tells the story of Naru Sekiya (front and center), an ordinary 14-year old girl who likes fairy tales. She sometimes wishes her life could be like one, but, that’s the harsh realities of real life. You have to play the cards you are dealt. She is worried about her lack of other interests and dearth of friends. She has a nighttime chance encounter with a “fairy”, a foreign girl practicing dance at a temple. On the spur of the moment, Naru asks to join her and she is introduced to the world of yosakoi dancing. And the rest of the team include, left to right:

Hana N. Fountainstand, that foreign girl ‘fairy’
Yaya Sasame, one of Naru’s friends
Machi Tokiwa, student council president
Tami Nishimikado, student council vice-president

Not pictured is Sari Tokiwa, Machi’s sister, a teacher at the school as well as the club advisor and Masaru Ōfuna, the owner of a yosakoi shop. The series is how these girls interact together and push forward in trying to get to a competitive level to be in the Hanairo Festival, where you showcase your skills. Yes, this is a standard show about (a) overcoming adversity, (b) bettering yourself, both physically and emotionally, (c) understanding the power and strength of friendship, (d) taking responsibility for all that you do and don’t do and (e) enjoying life as it is set before you. (more…)

“Hyakka Ryouran: Samurai Bride” has presented to us a two-episode OVA in which the ladies are, again, challenged in their abilities to be good samurai warriors. This time, the threat comes from a longbow warrior, Uesugi Kagekatsu, potentially more powerful than they are, and the prize is to become the actual bride of Yagyū Munenori, who is the leader of this tiny clan. To do this, they engage in, not martial arts, but homemaking arts, as they show off their ability to cook and clean and be domesticated.

Well, since this is served up with huge doses of silliness, the normal things go wrong, in that the food is either destroyed, completely inedible or made with some weird ingredients. And where would an OVA be without some (huge) degree of flirty behavior and wardrobe malfunctions and all-American nakedness (OK, this this case, all-Japanese nakedness). (more…)