In an earlier review, I noted that I have to look out for trends and I think I am seeing another one, that which I will call “Episode #0”. I have a problem with offerings that are billed as an OVA. You need a series tethered to it to be an OVA; otherwise it’s a one-shot. Also, don’t bill it as a ‘movie’ when it’s about one episode time in length. But with the turn-around on “Big Order”, I came to understand that it may be a test run, to see how things are going to decide if you want a real series to go with it. (more…)

“Mecha” has always been a sore point for me, especially when I wasted far too much time on “Gundam Seed Destiny”. My son used to watch the Gundam shows and, yes, I will admit there is something kind of cool about a giant fighting robot, but when it is an endless supply of giant fighting robots doing the exact same thing against another endless supply of giant fighting robots doing the exact same thing, episode to episode and series to series, the luster wears off pretty quick. How many times can you curse and scream and shriek at your enemy, who will also curse and scream and shriek at you? *sigh* But what about if it is a bio-enhanced suit? (more…)

Look, I KNEW that there was going to be a second season of “Gate: Jieitai Kano Chi nite, Kaku Tatakaeri” (“Gate: The Self-Defense Forces Fight like This in That Place”), as all the loose ends at the close of Season One made that a foregone conclusion. To their credit, they have upped the stakes, so now things are even more problematic. (more…)

Whew! At least we picked up the pace for the final installment of “Arpeggio of Blue Steel” (maybe; I can no longer tell if a series has truly ended any more), with “Ars Nova: Cadenza”. It’s musical history time. A ‘cadenza’ often refers to a portion of a concerto in which the orchestra stops playing, leaving the soloist to play alone in free time (without a strict, regular pulse) and can be written or improvised, depending on what the composer specifies. The final movie is like that, as so much ‘new stuff’ comes in, that we are left in its wake.

The good news is that this is a full and true movie. We have progressed beyond the cut and paste of “D.C.” and formed a real film, with all the twists and turns you have come to expect from a submarine chase film. The time has come to end this war. (more…)

This show is presented as an OVA, but it comes off more as a one-shot, and a confusing one at that. “Big Order” (“Biggu Ōdā”) tells the story of Hoshimiya Eiji, but it is done in the most painful way possible as to make it nearly incomprehensible as to what is going on. He starts off talking about wishes and if you were given one wish, what would it be? He progresses through his normal, boring life in his normal, boring town, going to his normal, boring school and seeing the new transfer student (that’s her up there, Kurenai Rin). (more…)

More on Part Two of the movie “Suisei no Gargantia ~ Meguru Kōro, Haruka”. Now, as I previously pondered as to why they did not decide to make this a two-hour (or so) movie, I do not know. Personally, I felt it would have benefitted from such a move, but then you lose the cliff-hanger ending for Film A, which would drive you into seeing Film B to conclude the offering and make for a more complete understanding of what is going on, although, for the most part, you don’t know what is really going on.

It comes off as not much more than a travelogue, as we see the life of people on these giant city-fleets and how they deal with other people on their giant city-fleets, who come along with items for trade or barter, so you can purchase or swap for that which you don’t have or have never seen. Oh, the story. The real story. An item that was pulled up from the sea bed in the last film appears to be a massive memory storage unit and could potentially explain a great deal as to what is going on and could even have technology. A lost technology that could benefit us, but it could also destroy us! (more…)

One of my responsibilities as a reviewer is to note trends. One trend I have noticed is the ten-episode run of second seasons, and that bothers me to no end. Another is the Movie Conclusion. I first saw it with “Eden of the East”, but a few more are cropping up. It appears a decision has been made by the Parent Company that rather than hoisting another season of a show (even if it is 10 episodes), let’s use a movie or two to close it out or explain things better. Thus is the case with “Gargantia on the Verdurous Planet” (“Suisei no Garugantia”).

The initial series told the story of Ensign Ledo (right), a soldier in the Galactic Alliance, piloting a Machine Caliber. This is an AI-automated, humanoid-shaped battle suit, which he refers to as ‘Chamber’. After a failed attempt by the Alliance forces to destroy an enemy super-weapon, Ledo is knocked into a wormhole and loses consciousness. When he awakens, he learns from Chamber that he has been in hibernation for six months while his wounds were healing. Ledo also discovers that he and Chamber have been ‘found’ by a rag-tag band of human scavengers. (more…)

This was an unpredictable offering, in that it was a mere episode of 30 minutes, but gave the impression of potentially being a pilot show for a possibly fuller series (could this be that ‘Episode #0’ of which we have heard so much about?) “Noblesse” (which is derived from the term ‘Noblesse Oblige’ and denotes the concept that nobility extends beyond mere entitlements and requires the person who holds such status to fulfill social responsibilities, particularly in leadership roles to those less privileged) is, among other things, a vampire show. It actually is a webtoon, but it certainly offered up something more than mere neck-biting.

Cadis Etrama Di Raizel (a.k.a. Rai, those are numerous images of him to the left) is a vampire hunter protector. His job is to make certain that the vampire hunters can do their job without getting dispatched by their foes. However, he has been asleep for 820 years (Wait! He went away in 1196? Long before Vlad the Impaler made the scene? The big event of that year was that the North Dutch coast flooded) and those forces that wish him harm have been looking for him ever since. His coffin was magically found and he was awakened into a world that he has a hard time grasping. Really? When he went to bed, the Byzantine Empire was still around and the Third Crusade was an active memory. Now we have cell phones and the internet. And Donald Trump. I have a hard time grasping this world and I’ve been here for a while! (more…)

This is a weird fish of a show, as I am not really certain how to present it. “Venus Versus Virus” (“Vīnasu Vāsasu Vaiarasu”) has their tales revolve around the lives of two young girls: Sumire Takahana (left) and Lucia Nahashi (right). Now, Lucia is a virus hunter. No, not like Jonas Salk. These viruses infect people and turn them into monsters, who then make more monsters. Lucia’s job is to dispatch these viruses. However, she discovered that Sumire has a secret, a secret that can help the Virus Vanguard get the upper hand in these confrontations and send these monsters packing to Monster Island or wherever they come from.

Lucia uses a gun that fires a vaccine that can kill the virus. However, when she shoots Sumire (that’s right; she has to put a slug in her), the vaccine causes Sumire to go into Berserker Mode and she can destroy a virus with her bare hands. However, friend or foe, if you are in her way, that could be the end of you. The series is the relationship between these two completely divergent people and how Sumire learns to control her darker side. (more…)

As of late, I have been running into a lot of fighting academy shows, where people of varying degrees of talents and abilities are shipped off to this particular institute or that particular school to hone their fighting skills in that they may defend this country or do battle against other schools for honor and glory and toyamaki. It’s like being in “The Goblet of Fire” but without Cedric Diggory. (Hmmmm……….this intro sounds familiar). (more…)