Owing to a change in scheduling and approach, I feel compelled to give another pre-convention update as to what is going on. For a one-day convention, it certainly is creating a huge amount of problems. Thank goodness I didn’t decide to go for a hotel room; I can’t imagine the logistical nightmare that might generate. Also, the parent company for KrakenCon wants me to play up and promote and push this all over the place, as they want to increase the size of it and get more people in (What? With an attendance cap in place?) Well, as Oscar Wilde once noted, “The only thing worse than being talked about is NOT being talked about.” So I guess all ink is good ink (or electronic lettering, depending).
Now, the Big Thing about this venue is that it is being held on an AIRCRAFT CARRIER! Well, that’s different, but doesn’t the flight deck of a carrier have the room for about, say, four football fields? (A football field is about 1 1/3 acres or 57,600 square feet). And you need a vendor’s cap? How big are the tables? The size of the end zone? That’s a huge amount of manga! (more…)
Part of the problem with any art form (movies, music, anime, painting, books, graffiti at the bus stop) is that there is so much already out there and so much more coming through, it is very easy to miss or overlook or just be oblivious to whatever else is out there and you cruise right on past things. There are a lot of really good shows out there, but you may not have heard of them or the capsule description doesn’t really capture the flavor of the show.
As part of an on-going series, I want to draw your attention to these overlooked gems and suggest that you take some time out of your busy day (there is no need to see a replay on the NFL Network of a game between the Patriots and the Falcons played in Week 13 of 1992) and check them out, which brings me to my first offering, “Gunslinger Girl”.
It is interesting in that it is fully set it Italy, something that you rarely see in anime. We begin with the Social Welfare Agency (or “the Agency”), ostensibly a charitable institution sponsored by the Italian Government. While the Agency professes to aid the rehabilitation of the physically injured, it is actually a military organization. It is composed of two independent branches: Public Safety, its surveillance and intelligence-gathering division, and Special Ops, the anti-terrorist division. (more…)
The big problem that I have with anime movies is that I never get a real chance to see them in the theaters. With the exception of a lot (but not all) of Studio Ghibli, I would assume the bulk of these offerings never leave the Land of the Rising Sun. On those rare occasions that they do, it is a really limited release over the course of one weekend, in a movie theater that the bus lines don’t get to, at an outrageous ticket price (I had a chance to see “The Disappearance of Haruhi Suzumiya” like this, but the tickets were $20 each!) and with a grand total of five showings.
Thus, when I do encounter a movie, I give it a look-see, and I will potentially not get another shot at a look-see. This means it is pot luck at best. Like the Mystery Bag, whatever is whatever. I had a chance to see “Rakuen Tsuihou” (“Expelled from Paradise”), a film I heard nothing about at all, even though it has been out in the US for theoretically five months.
It is the future. Most anime is about the future. Angela Balzac is an agent at the space station DEVA, whose inhabitants have no physical bodies, their minds digitized and processed into a virtual reality environment. She has a day off and is ‘lounging’ at the ‘beach’ on a ‘wonderful day’. Seriously, if this is all VR, it’s not much different than the Matrix, right? Anyway, after some Village People clone tries to hit on her, the beach scene deteriorates, as they have been hacked by some initially unknown entity. (more…)
I wonder what it takes for an anime film to get decent distribution in the US. I did see “Ponyo” and “The Wind Rises” in the theaters, but how many others have slid below the radar? I’m not even seeing ads taken out in the papers or things getting mentioned, so I have to wait for alternate distribution to find out about them at all and then get a chance to see the latest film releases. “When Marnie was There” (or “Marnie of the Memories”) came out last July and could, potentially, be the last film from Studio Ghibli, as they are ‘on hiatus’, but with the retirement of Miyazaki, their future is vague.
On to the film. I am uncertain when the film takes place, but it could be the late 60s or early 70s. Anna Sasaki (left) is a 12-year-old girl who lives in Sapporo with foster parents, Yoriko and her husband. Anna’s mom and dad died in a car accident and Grandma passed away a couple of years earlier, so there is no one for her. One day at school, she collapses from an asthma attack, so her parents send her to spend the summer with Setsu and Kiyomasa Oiwa, relatives of Yoriko, in Kushino, a rural seaside town, where the air is clear. (OK, we will ignore the fact that asthma isn’t tuberculosis). (more…)
Now, I really liked “Amagi Brilliant Park”, a series about characters from another world who need to generate positive energy to live here in our dimension (go check the review). What I enjoyed about the three-run OVA is the scratch style that they used, as evidenced by that piece of junk up there. As if it was slapped together in record time, the shows are depending more on the stories they tell and the predicaments everyone gets into than the actual art approach, but it works quite well for them. I feel if they used the original artwork, it would actually hurt these throw-away bits. (more…)
“Shiro Bako” (and there is a review out; I do a lot of anime watching and reviewing), was an anime show about making an anime show. The front part of the series spoke about “Exodus!”, which was the first anime they were producing. The OVA is the ‘first episode’ of that anime run, so we can see the fruits of their labors.
The show is about the idol girl group “Tracy”, composed of (left to right) Aya, Akane and either Alpine or Arupin (it depends on which source you use). Their manager also promotes the group Ginger and everything Ginger is, Tracy is not. They perform in front of practically no one and their dressing room is the staff toilet. They are, understandably, depressed and they are on the verge of breaking up when Akane decides to talk to their manager, Taguchi, about things. (more…)
Another Studio Ghibli release, “The Tale of the Princess Kaguya” (Kaguya-hime no Monogatari) is 95% of a marvelous film. A rather cheap-out ending mars an otherwise magnificent effort, both in story-telling and animation approach.
A bamboo cutter named Sanuki no Miyatsuko lives high in the mountains, plying his trade. One day, while doing his rounds, he discovers a glowing bamboo shoot. Inside is a tiny, tiny girl. Believing her to be a divine presence, Miyatsuko and his wife decide to raise her as their own, calling her “Princess“. The girl grows rapidly and conspicuously, marveling her parents and earning her the nickname “Takenoko” (Little Bamboo) from the other children in the village. Sutemaru, the oldest among Kaguya’s friends, develops a particularly close relationship with her. (more…)
Why do you have a movie based from a TV series? I find the reason is that you want to wrap things up nicely, you don’t need a full-run season to accomplish that and the movie will allow you to play out the emotional angles better. I can take 70 minutes to really tell my story, rather than having to break in up over three attempts of 24 minutes each. But that doesn’t mean you are guaranteed success and, sadly, the “Tamako Love Movie” fails to deliver.
There is a review out there on the series itself (“Tamako Market”), but the initial skinny is that Tamako Kitashirakawa’s family runs a mochi shop. One day, a bird comes in from a foreign land, helping the prince of his country look for a bride. Tamako was a good candidate, but eventually declined the offer. I assumed the movie was going to look at the aftermath that was caused by these odd people showing up and being a caliber of mooch for four or five months.
The movie starts off on the home island of Prince Mecha Mochimazzi, his sister Choi and the useless bird emissary Dera. They are busy making mochi and wondering aloud how things are going for Tamako and her friends. We then see them and…and…and…for 83 minutes, nothing happens. The main thrust is that Tamako seems adrift, as she does not know what she wants to do with her life. Mochizō Ōji, her rival, her friend and her companion, is planning on going to Tokyo and further his education. It appears she will take over the family business. Oji has to tell her of his decision to leave, but cannot find the gumption to tell her. Tamako decides that she will put forth a great deal of effort with the baton club to be able to participate in a cultural festival and showcase their talents. (more…)
There are times that you like a caliber of blind-side anime and this one, “The Testament of Sister New Devil”, ( “Shinmai Maō no Tesutamento”) certainly delivers in that category, as it starts off like any other blended family anime.
Basara Tojo (that lost male youth up there) is a first year high school student. He and his father, Jin, live in Tokyo, just the two of them (as mom died a few years earlier). Out of nowhere, Jin announces that he got married, is going on some business and son is to take care of his new step-sisters, Mio (redhead) and Maria (silverhead) Naruse. A bit after they arrive, we discover that they are more than they appear (although a lot was given up during the opening credits). Mio is a Demon princess and heir of the former Demon Lord, Wilbert. (Wilbert? What kind of demon is named ‘Wilbert’? That doesn’t sound too scary to me). Maria is a succubus and is Mio’s follower and guardian. They aren’t true sisters, but emotionally they are.
They actually try to force Basara from his house, using mind control and other demonic curses, but then we learn HIS truth: he was a member of a hero clan (which explains all the scars they have. Like dad and son went to the tattoo parlor to get matching tats?) and wields great powers. Dad and son eventually speak, Dad advises him on the task set before them all and tells them that they are now all family, or at least more than total strangers. (more…)
This is another “Women and Weaponry” submission, potentially closer aligned to “Stella!” and “Girls und Panzer” than “Upotte!” (and I have reviewed all of them, so give them a spin if you haven’t already). For this one, “Sabagebu! – The Survival Game”, it follows a group of high school girls and their daily lives in their survival game club. It all begins with Momoka Sonokawa (Madame Peace Sign), who is a transfer student to a new school. While on the train to school, she is bothered by a pervert when some woman pulls out a pair of side arms to confront the molester, only to get arrested instead. Yeah, it’s usually not a good idea to be yanking guns out to dispense some harsh justice. People freak out, even if they are just airsoft pellet ball weaponry.
Momoka follows this odd lady when she sees her at her school, tracking her over to a run-down building and discovers the Survival Club. The rest of the club are (right to left):
Maya Kyōdō, second-year and gravure idol Urara Kasugano, first year and a bit of a masochist Momoka Miou Ootori, club president and filthy rich (she pulled the guns on the train) Kayo Gōtokuji, club treasurer and a cosplay freak Platy, club mascot (more…)
