A show about world domination and interplanetary protection, “World Trigger” (“Wārudo Torigā”) has as much working for it as working against it. But I get ahead of myself. Perhaps too far ahead. I started writing this in a mistaken belief that it would wrap up fairly soon, but I guessed wrong and here we are, 52 episodes in and more on the horizon.

In the town of Mikado City, an inter-dimensional gate opened up about four-plus years earlier. These strange creatures emerged and began to capture people. Now, as to why they were referred to as ‘Neighbors” is confusing, as they do not act very neighborly. I mean, they come down, destroying property, capturing people, causing devastation and destruction. Is this how you act in your dimension? I bet you leave the toilet seat up as well! There was terror and panic and fear and stampeding, as regular weapons were of no use and there was nothing that could be done to stop them. However, a heretofore shadow group, Border, came to their rescue. Although the city was saved, 400 residents disappeared and a huge swath of the town had to be abandoned. This has since been referred to as the Forbidden Zone. (more…)

This is a show with an interesting concept: what if you had to do battle with an opposing force, bent on destroying your world? What if your opponent was an evil version of yourself? What if you were deemed the evil version and not the other one? That is the initial concept with “Gunslinger Stratos: The Animation” (“Gansuringā sutoratosu Animēshon”). Now, this started out life as a third-person shooter (easily seen amid all the fighting sequences), but morphed into this series.

In the year 2115, the country known formerly as Japan has been split into two parallel worlds: the Frontier S (Stratos) and the 17th Far East Imperial City Management District. Frontier S is an outlaw universe in which freedom runs rampant (damn those freedom seeking radicals!), while the 17th Far East Imperial City Management District is a totalitarian universe, completely bereft of freedom and is under constant surveillance.

While the two universes are just starting to fuse into one, the governments of each world initiates Operation Stratos, a world-scale protocol wherein a handpicked group of gunslingers, mercenaries, street punks and special individuals, each from the two universes, will be sent in the year 2015, to alter the past by eliminating the other side until only one group survives, erasing a parallel universe in the process. No pressure, right? (more…)

This is one of the more complicated, convoluted shows I have seen, up there with “Mekakucity Actors”, “Steins;Gate” and “Chaos;Head” in that you are not really certain what is going on. The fact and/or problem that it also has to deal with the concepts of time travel, physical possession and grand conspiracies make “Punch Line” (“Panchi Rain”) a rather hard show to follow.

Yūta Iridatsu (the only boy up there) lives at the Korai House apartment complex with four girls (left to right): Rabura Chichibu, Meika Daihatsu, Ito Hikiotani, and Mikatan Narugino. One day, following a bus-jacking incident, Yūta finds himself ejected from his own body and becoming a ghost of some sort. Guided by the cat spirit Chiranosuke, Yūta must learn to master his spirit powers in order to protect his housemates from the various circumstances they find themselves in. However, if Yūta sees a girl’s panties twice in a row, the Earth will be destroyed by a meteor. OK, that sounds simple, but the execution is lumpy. It doesn’t help that we are seemingly trapped within the same time frame (December 21 to 31) and unable to correct or change the circumstances.

Also, with Yuta a ghost for the first half of the show and Chiranosuke really a huge caliber of tyrant, this makes for a confusing situation. We slowly learn the rules and logic of this realm he is in, but also the limitations that he has. (more…)

It took me a little while to tumble to “Plastic Memories” (“Purasutikku Memorīzu”), but I realized that it was a take on the “Mahoromatic” theme of limited time and why must this have to be this way? (Disclosure time: “Mahoromatic” is my personal best anime series, as I have all the DVDs plus I have done about 100 fanfics for it).

We are in the future and the future has androids. SAI Corporation, the leading android production company, has introduced the Giftia, a new android model with the most human-like qualities of any model. The lifespan of a Giftia is 81,920 hours (roughly nine years and four months), but if they pass their expiration date, it causes personality disintegration, memory loss and outbreaks of violence. Kind of like a football fan in the off-season.

As a result, the employees of the Terminal Service (responsible for retrieving androids which are close to reaching the end of their service lives and erasing the androids’ memories) must go to the owner of the Giftia and retrieve it. Those assigned to the Terminal Service work in teams consisting of a human (called a “Spotter”) and a Giftia (called a “Marksman”). The story follows protagonist Tsukasa Mizugaki (far right) and a Giftia named Isla (next to him), both of whom work in SAI Corp’s Terminal Service No. 1 office. (more…)

Yes, I know this was a movie, but, for me, like “Ghost in the Shell”, the series made more sense than the film, although that’s where the similarities with “Appleseed XIII” end.

It is the future (and with what I see, it had pretty well damn be). It is also after the close of WWV (No, not some Super Bowl; World War Five). On the plus side, it was fought with non-nuclear weaponry. On the negative side, about half the world’s population died. Well, at least I can get a parking space. We have also seen the rise of the city-state of Olympus, a gleaming spire offering a way out of the chaos and destruction of the past and into a grand and glorious future. Or not.

It is governed by Gaia, an artificial intelligence, and administered by bioroids, genetically engineered humans. Isn’t that eugenics? Just askin’!
Into this mix we have the battle duo of Deunan Knute, a young female special agent, and Briareos, a veteran cyborg soldier. They are partners and, when Briareos was human, perhaps lovers, (this is hinted at but never really defined). They work in E.S.W.A.T., the elite Special Forces serving Olympus. They are deployed wherever trouble strikes. Conspiracies, terrorism, deadly military weapons technology, greedy corporations, and power-hungry politicians, whenever it rises its ugly head, they are there to strike a blow for the future as they fight to protect Olympus and conduct their personal quest to find Eden in the wasteland. (Enter patriotic music beneath). (more…)

This is another in the “Girls Who Save the World” genre, but, potentially, taken to the zenith of the idea. Also, sharing a lot with shows like “Upotte” and “Strike Witches”, “Kantai Collection” (also known as “Combined Fleet Girls Collection” and the nickname “Kancolle”) really goes all out with things.

In this Alternative Universe, although there is a World War going on, it is not fought with the other peoples of earth, but an alien group, bent on World Domination. “We will control all the Fun Size Snickers bars, so there!” Hahahahahahahahaha…………ahem! We are fighting on the high seas with girls who are battleships. By the style of ship and airplane, as well as off-duty garb, I would put this somewhere between 1938 and 1941 (if we were using a real calendar). Our heroine Fubuki (brown hair, second from right. It was hard to find a group shot of most of them that could be easily comprehended as to what was going on that wasn’t also smut smack) has been asked to join the task fleet. She is a destroyer, but we have all grades of ships: torpedo boats, aircraft carriers, communication ships, battle cruisers. (more…)

I guess I should get around to this show; after all, it is #4 on my fan service list. “Gurren Lagann”, known in Japan as “Tengen Toppa Gurren Lagann” (“Pierce the Heavens, Gurren Lagann”) is a giant fighting robot show, but it is done differently than most GFRs, so I personally was able to tolerate a bit better, despite some pacing problems. But let’s get down to brass tacks, eh?

We are on Earth. Well, I assume it’s Earth. Does it matter? But we aren’t ON Earth; rather, underneath it. Simon (but pronounce it as ‘Simone’, he’s front and center) is a digger and may be the best one that they have in our underground enclave. He dreams of a better life, but he ain’t gonna get it. Stick to your drill, boy. He is befriended by Kamina (Mr Flashy up there in the Oakley or Maui Jim or Ray-Ban shades), who needs people to recruit into his dream of visiting the surface world. Oh, you should hear the guffaws around that one! One day, Simon finds a drill-shaped key. Well, it’s cute, so he hangs onto it. (You can just see it under his crossed arms). (more…)

With that wretched cliff-hanger close to season one, you could bet your bottom dollar that there was going to be a season two and wrap up this tale of interplanetary war. “Aldnoah.Zero 2” tells of the continuing adventures of (left to right) Slaine Troyard, Princess Asseylum Vers Allusia and Inaho Kaizuka.

As Season One concluded, Slaine had shot, at point-blank range, both Asseylum and Inaho, but spared the life of Count Saazbaum. Slaine is now a Vers pilot, working for Saazbaum, and is busily destroying all he can. It has been 19 months since the close of season one and things are pretty much where they were before that. However, the show now dissolves into one of political machinations. Slaine has some agenda at work, but he seems to be at crossed ends with it. His plans are befouled by three problems:

1) Inaho is still alive. Despite a shot to the head, he survived and is more of a foe than ever.
2) Asseylum is in a coma and there is no telling when, if ever, she may emerge.
3) He is trying to set up a silent coup, where he has all the power he needs to do what he needs to do.

The show spins forth this tale of destruction and redemption, but things get a little too bulletproof for comfort. There is a major subterfuge going on, but I will let that come to you. It is especially shocking, if you are aware of the incidents of the close of the first season. And there lies your problem. (more…)

I saw this show at the same time I was watching “Atasuka no Yona”, but “Cross Ange: Rondo of Angels and Dragons” (“Kurosu Anju Tenshi to Ryū no Rondo”) takes it in a different direction.

We start off in the Empire of Misurugi. We are approaching the 16th birthday of Angelise Ikaruga “Ange” Misurugi (she is scowly blue up there), at which time, she will be coronated and become the official next in line to the throne. She is loved by all, despite living the cloistered life that usually accompanies royalty. However, her brother, Julio, engineers a coup, exposing the fact that she is a Norma! Are you kidding me? What a betrayal! Burn the witch!

In this world, everyone uses mana for everything. Some folks cannot do so (those are the Normas, NOT Normals, but it skates close, right?) and are ‘removed’ from society, as they pose a threat to the ‘peace’ they live in. They are trucked off to the military base-prison island of Arzenal. Since Ange is now a danger to one and all, she heads there as well, where she has to fight DRAGONs. Now, what bothers me is that they are fighting real dragons, so why the emphasis on making it an acronym? Also, here’s the funny thing: all Normas are ladies. For some odd reason, all guys can use mana; only the gals can come up short. (Let’s hear it for the Y chromosome!) (more…)

Part of the problem with any art form (movies, music, anime, painting, books, graffiti at the bus stop) is that there is so much already out there and so much more coming through, it is very easy to miss or overlook or just be oblivious to whatever else is out there and you cruise right on past things. There are a lot of really good shows out there, but you may not have heard of them or the capsule description doesn’t really capture the flavor of the show.

As part of an on-going series, I want to draw your attention to these overlooked gems and suggest that you take some time out of your busy day (there is no need to see a replay on the NFL Network of a game between the Patriots and the Falcons played in Week 13 of 1992) and check them out, which brings me to my first offering, “Gunslinger Girl”.

It is interesting in that it is fully set it Italy, something that you rarely see in anime. We begin with the Social Welfare Agency (or “the Agency”), ostensibly a charitable institution sponsored by the Italian Government. While the Agency professes to aid the rehabilitation of the physically injured, it is actually a military organization. It is composed of two independent branches: Public Safety, its surveillance and intelligence-gathering division, and Special Ops, the anti-terrorist division. (more…)